It happens more often than perhaps it should: a celebrity, be it rock star, movie icon, or stud athlete, is upheld on a pedestal for many years during his or her career, only to come crashing down at some shocking revelation that leaves fans disappointed and disenchanted. Sunday, February 4th left me with a similar feeling, when it was proclaimed over various social media outlets that Oscar-winning actor Philip Seymour Hoffman was found dead in his New York apartment with a needle in his arm and significant amounts of heroin in the vicinity.
The unbridled happiness of Vampire Weekend’s self-titled debut album, released January 29, 2008, coincided with and perfectly complemented the second semester of my senior year of high school; I remember capering with my friends in their basements, half-shouting the lyrics … Read More
“The dead linger after their passing in the memories of those who knew them; this poem, however, lingers only on my hard drive, contextless and adrift in the sea of my thoughts and memories.”
At this point, hating Skrillex is so common that it’s no longer really possible to gain any cultural cred by expressing one’s disapproval for the musician. If anything, engaging in vocal hatred just establishes you as yet another member of … Read More
Late one Friday night, buzzed and carrying packs of sour candy from the Wa, I wandered to a room in Whitman. As my host and I sat on her bed, alternating handfuls of Sour Patch and some other Technicolor monstrosity, her roommate decided to show me a video for “Beauty and a Beat,” performed and directed by everyone’s favorite cultural punching bag: Justin Bieber.
I got 99 problems, and all of ’em’s being happy,” bursts out Tyler Okonma—better known by his stage name Tyler, the Creator—on “Pigs,” one of the many disturbing looks inside the mind of this 22 year-old rapper on his new album Wolf. The pop-culture riff with a demented personal twist is Tyler’s signature move, and one that somehow keeps the listeners coming back for more.
In a genre ostensibly centered on themes of inclusion, liberation, and progressivism, the disregard for the remarkable role of women in both the development and advancement of the Electronic avant-garde is unfortunate, and even antithetical to the cultural aspects of electronic music that I find most appealing.
