Nassau Weekly
  • Issues
  • Verbatim
  • Crosswords
  • About
  • Donate

Category: Film

  • New
  • Old
  • Random

The Brain Behind the Brush: Uncovering Mary Blair’s Animation Legacy

Your favorite Disney animations were the product of invisibilized women’s labor.

by Alex Picoult on November 30, 2023

When Your B1tch Becomes Human: A Review of My Dog Tulip

“If Ackerley perceives his dependent, female dog as essentially human, this is a strong statement regarding Ackerley’s beliefs about women in general. In fact, many of his statements regarding Tulip, throughout the film, feel steeped in misogyny, given that they are not statements generally associated with dogs.”

by Lara Katz on November 11, 2023

A History of Silence: Elision and Destruction in the New Mexican Landscape

“There’s power in not having to care. As Inez Guzmán remarks, the film Oppenheimer can leave New Mexico just as its subject did: apparently without a second thought. But there’s also power—more ambivalent, yes, but also more lasting—that comes with needing to pick up the pieces.”

by Daniel Viorica on October 5, 2023October 5, 2023

Behind the VHS, Betacam, and GoPro: Ivar Murd and his Production of Cult Music Documentary u.Q.

A writer visits the New York Baltic Film Festival and delves into the world of the late Estonian music star Uku Kuut, as captured on film.

by Lucia Brown on December 4, 2022

Licorice Pizza: An Ode to Young Love and Cinema in the San Fernando Valley

A Nass writer looks at the newest film from Paul Thomas Anderson.

by Noah Rawlings on January 18, 2022

How to Visit Home from a Movie Theater

A Nass writer reflects on her family’s connection to a recent film.

by Kristiana Filipov on August 1, 2021July 31, 2021

Oeuvre Reviews: Josh Malina in “View From The Top”

A Nass writer takes another dive into the work of her favorite B-list actor.

by Beth Villaruz on April 25, 2021April 24, 2021

Wet, Hot, Senile Summer

A consideration of suburbia and its inhabitants in relation to the American Dream.

by Elliott Weil on April 11, 2021April 10, 2021

Love Lessons

Wherein a Nass writer contemplates the influence of Disney on her burgeoning worldview.

by Lauren Aung on March 7, 2021March 7, 2021

On Borat Subsequent Moviefilm

A review of the latest Sasha Baron Cohen comedy.

by David Chmielewski on November 8, 2020November 8, 2020

The Virtue of Ambiguity

A Review of the Film: Parasite

by Drew Pugliese on November 10, 2019November 10, 2019

The Fourth Annual Princeton Independent Film Festival

Narrative as a discourse, and the opportunities within collective interpretation.

by Max Feldman on December 9, 2018December 8, 2018


  • Older

Submit a Verbatim

    Recent Posts

    • A Yoga Ashram, Donna Tart’s The Secret History, and Discobitch’s C’est Beau la Bourgeoisie
    • Balls Dropped: Full Design
    • Letter from the editor
    • New Year, New Me / I Was Cutting My Fingernails and Eavesdropping
    • Sorry About the Air Conditioners Being Off: Townes Van Zandt, The Texas Chainsaw Massacre, and Aesthetic Signatures of Heat

    Popular Posts

    • A Yoga Ashram, Donna Tart’s The Secret History, and Discobitch’s C’est Beau la Bourgeoisie
    • Balls Dropped: Full Design
    • Letter from the editor
    • New Year, New Me / I Was Cutting My Fingernails and Eavesdropping
    • Sorry About the Air Conditioners Being Off: Townes Van Zandt, The Texas Chainsaw Massacre, and Aesthetic Signatures of Heat

    Navigation

    • Home
    • Articles
    • Issues
    • Verbatim
    • Contact
    • Donate

    Categories

    • Campus
    • Reflections
    • Poetry
    • Podcasts
    • Fiction
    • Lists

    Join Us

    • About
    • Privacy Policy
    • Submit an article
    • Submit a verbatim

    © Nassau Weekly 2020 · All Rights Reserved