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12 Years a Slave

Steve McQueen’s 12 Years a Slave is tense and unflinching. Its relentless intensity and graphic brutality has been the defining feature in the media, but it is also an essential part of the film and the primary reason it could become the most important portrait of American slavery yet on camera.

by Alex Costin on November 14, 2013November 16, 2013

Behind the VHS, Betacam, and GoPro: Ivar Murd and his Production of Cult Music Documentary u.Q.

A writer visits the New York Baltic Film Festival and delves into the world of the late Estonian music star Uku Kuut, as captured on film.

by Lucia Brown on December 4, 2022

Wet, Hot, Senile Summer

A consideration of suburbia and its inhabitants in relation to the American Dream.

by Elliott Weil on April 11, 2021April 10, 2021

The Movies, Today

__RED__ (Link)

Finally tapping into the coveted “Action Movie-Goers Ages 55-64” demographic is _RED,_ the first movie to fully recognize that the bad-ass old guy is the most bad-ass bad-ass possible. For that matter, I think I am not exaggerating when I say that, by and large, the older the practitioner, the more raw the feat. I dare you to name one thing that’s not raw as hell when done by a dude or lady of years. Doing push-ups. Chopping firewood. Yelling at Koreans. Speaking to a nation. Chugging a beer.

by Dan Abromowitz on September 13, 2010March 22, 2013

On Borat Subsequent Moviefilm

A review of the latest Sasha Baron Cohen comedy.

by David Chmielewski on November 8, 2020November 8, 2020

“If I Could Just Leave My Body For a Night”

The Major Motion Picture is, along with presidential elections and natural disasters, one of the few events still capable of giving our fragmented culture a sense of unity, brief though it may be. The buzz surrounding the release of such … Read More

by Nick Cox on February 3, 2010March 17, 2013

How to Visit Home from a Movie Theater

A Nass writer reflects on her family’s connection to a recent film.

by Kristiana Filipov on August 1, 2021July 31, 2021

Oscar Noms

Musings and predictions.

by Tom Markham on February 22, 2012March 22, 2013

Dark Zeros, Dark Heros

The first time I saw Zero Dark Thirty left me shaken to my core, affected to an extent I rarely experience at the cinema. I was deeply moved by what I saw as a powerful meditation on obsession and revenge … Read More

by Dayton Martindale on February 14, 2013March 22, 2013

The Brain Behind the Brush: Uncovering Mary Blair’s Animation Legacy

Your favorite Disney animations were the product of invisibilized women’s labor.

by Alex Picoult on November 30, 2023

The Movies, Today

KILLERS Killers stars Katherine Heigl as an attractive, blonde, and slightly manic but single and unfulfilled woman who’s all too acutely aware that her biological clock’s ticking. As if by magic, shockingly attractive man of her dreams Ashton Kutcher comes … Read More

by Dan Abromowitz on April 14, 2010March 22, 2013

Crazy Rich Asians Review

“My first draft of this review started with a disclaimer saying that, whatever my opinions of Crazy Rich Asians may be, its all-Asian cast is worth celebrating as a landmark for representation. Then my editor sent me an article explaining how the movie’s depiction of Singapore is analogous to a depiction of America only featuring white people, and now I don’t know what to think. In the context of Hollywood’s shameful history of white actors playing Asian characters, this still feels like a step in the right direction, though it’s hard to forgive the ignorance of Singaporean racial diversity. This stuff is complicated and there are two sides to every issue. Anyway, Crazy Rich Asians is awful.”

by Max Feldman on October 14, 2018October 12, 2018


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