I’m all about puppies during finals because I never feel like less of human than when I have written the phrase “sociopolitical framework” and wondered whether what I meant was actually “geopolitical,”
The Ivy membership has gathered in the library. One by one, they choose who will fill the positions on the club’s officer board: they elect a male president, a male vice-president, a female bicker chair, and a male social chair. One more position remains: house manager.
This summer, I lived at the very northern end of the 1 train, in Riverdale, Bronx, New York, place names I’d unpack one by one like parts of matroyshka doll whenever anyone asked. Obviously, getting anywhere and back was a little bit of a pain but it was really fine, very feasible, and especially once my roommate and I figured out the quick changes, the express trains, and the fastest bus routes, the commute became a challenge, an adventure, a training in swiftness and staying cool.
Damien* is a frat bro, infamous on the Princeton campus for his trust fund and sexual aggression, and he has something to say. “Write this down,” he says to me. “Damien does not like women.” I ask why not. “Because they’re not cool.” Why not? “Because I can’t relate to them.”
For a class called “Women’s Bodies, Women’s Lives,” that I took last semester, we were tasked with many activities meant to make us aware of what it meant to be a woman, and a woman in a body, and a woman in a body in a society alternatingly fascinated and disgusted with that body.
Two recent articles in our campus’ “paper of record” deal with the way said paper is received by its audience; i.e., with derision and hatred. “Snark’s inefficacy” and “On hating the Daily Princetonian,” are two of the most outrageous Opinion … Read More
Douglas Coupland’s exhibit in the Vancouver Art Gallery this summer was called “everywhere is anywhere is anything is everything,” and from the instant I saw the title, before I even set foot in the museum, I was not feeling it. The all-lowercase aesthetic felt, to me, like an appropriation by a pretty square art gallery and a not-young man of a look that coded for “youth” and “hipness.”
Metta, you don’t know me, but I know you. And I’ve known you. You were an Indiana Pacer from the time I was 10 to 14 and children in Indiana grow up knowing the names of Pacers the way they know the Pledge of Allegiance. But then when I was in sixth grade you almost strangled a fan at a Detroit Pistons’ game and got yourself traded.
I don’t remember why I started listening to RadioNow 93.1, Indianapolis’ Top 40 radio station, but I know exactly when. I was nine, and it was the summer after third grade. Before this, I had basically stayed away from pop culture. I didn’t really get it, or like it, and there was a girl in my school who told me she was receiving shots to delay puberty because she had watched too much Britney Spears with her older siblings and it had somehow tricked her body into pressing “skip” over the last part of her pre-preteen years.
