This summer, I lived at the very northern end of the 1 train, in Riverdale, Bronx, New York, place names I’d unpack one by one like parts of matroyshka doll whenever anyone asked. Obviously, getting anywhere and back was a little bit of a pain but it was really fine, very feasible, and especially once my roommate and I figured out the quick changes, the express trains, and the fastest bus routes, the commute became a challenge, an adventure, a training in swiftness and staying cool.
“I could really go for a good burger right now,” my friend says in a tone that conveys that a burger would fill not only her stomach, but her soul. She leans against the wall expectantly. All night, she’s been flirting with another friend, a certain kind of guy who likes a certain kind of girl: thin, glossy-haired, and intelligent enough to be a sparkling conversationalist, quick with a comeback, but not necessarily intellectually aggressive enough to call him on any of his bullshit.
I’m all about puppies during finals because I never feel like less of human than when I have written the phrase “sociopolitical framework” and wondered whether what I meant was actually “geopolitical,”
It was 9 a.m. Awakened, as I often am, by sunlight, I opened my door to go to the bathroom downstairs. Supine, to the side of my door, was a male form, blonde and muscular and naked. His hands were cupped over his genitals, his underwear crumpled by his head. His eyes were closed. I froze in surprise, but I had to pee, and out of some ingrained politeness didn’t want to disturb him. I stepped over him quietly and went downstairs.
Of the many things the singer Banks (the stage name of Jillian Banks) does well—and I think there are many—the thing she does best is cultivate her own vibe.
For a class called “Women’s Bodies, Women’s Lives,” that I took last semester, we were tasked with many activities meant to make us aware of what it meant to be a woman, and a woman in a body, and a woman in a body in a society alternatingly fascinated and disgusted with that body.
I never sleep well when I am home. This is usually due to physical—not mental—distress: in eighth grade I inherited a three-quarter sized bedframe from the eighteenth century, a Sharpless heirloom that my grandparents wanted to get rid of. Rare is the vendor in this century that sells a mattress fit to its arcane proportions, so my parents threw two futons on it and told me it was temporary.
