It was 9 a.m. Awakened, as I often am, by sunlight, I opened my door to go to the bathroom downstairs. Supine, to the side of my door, was a male form, blonde and muscular and naked. His hands were cupped over his genitals, his underwear crumpled by his head. His eyes were closed. I froze in surprise, but I had to pee, and out of some ingrained politeness didn’t want to disturb him. I stepped over him quietly and went downstairs.
For a class called “Women’s Bodies, Women’s Lives,” that I took last semester, we were tasked with many activities meant to make us aware of what it meant to be a woman, and a woman in a body, and a woman in a body in a society alternatingly fascinated and disgusted with that body.
As I stood outside the door to Frist 212 on the first day of my freshman year, waiting for my Arabic 101 class to start, a bright-eyed boy in a polo shirt bounced up to the door. I smiled at … Read More
Douglas Coupland’s exhibit in the Vancouver Art Gallery this summer was called “everywhere is anywhere is anything is everything,” and from the instant I saw the title, before I even set foot in the museum, I was not feeling it. The all-lowercase aesthetic felt, to me, like an appropriation by a pretty square art gallery and a not-young man of a look that coded for “youth” and “hipness.”
This summer, I lived at the very northern end of the 1 train, in Riverdale, Bronx, New York, place names I’d unpack one by one like parts of matroyshka doll whenever anyone asked. Obviously, getting anywhere and back was a little bit of a pain but it was really fine, very feasible, and especially once my roommate and I figured out the quick changes, the express trains, and the fastest bus routes, the commute became a challenge, an adventure, a training in swiftness and staying cool.
Of the many things the singer Banks (the stage name of Jillian Banks) does well—and I think there are many—the thing she does best is cultivate her own vibe.
