This summer, I lived at the very northern end of the 1 train, in Riverdale, Bronx, New York, place names I’d unpack one by one like parts of matroyshka doll whenever anyone asked. Obviously, getting anywhere and back was a little bit of a pain but it was really fine, very feasible, and especially once my roommate and I figured out the quick changes, the express trains, and the fastest bus routes, the commute became a challenge, an adventure, a training in swiftness and staying cool.
I never sleep well when I am home. This is usually due to physical—not mental—distress: in eighth grade I inherited a three-quarter sized bedframe from the eighteenth century, a Sharpless heirloom that my grandparents wanted to get rid of. Rare is the vendor in this century that sells a mattress fit to its arcane proportions, so my parents threw two futons on it and told me it was temporary.
Damien* is a frat bro, infamous on the Princeton campus for his trust fund and sexual aggression, and he has something to say. “Write this down,” he says to me. “Damien does not like women.” I ask why not. “Because they’re not cool.” Why not? “Because I can’t relate to them.”
As I stood outside the door to Frist 212 on the first day of my freshman year, waiting for my Arabic 101 class to start, a bright-eyed boy in a polo shirt bounced up to the door. I smiled at … Read More
A little story from Susannah’s Preview experience: eyes bright, face flushed, she had decided that her passion was Comparative Literature (it isn’t), and what do you know, there was an open house, at 4:30, in a place called East Pyne. Perfect, she thought, locating “Pyne,” on the map and setting off.
It was 9 a.m. Awakened, as I often am, by sunlight, I opened my door to go to the bathroom downstairs. Supine, to the side of my door, was a male form, blonde and muscular and naked. His hands were cupped over his genitals, his underwear crumpled by his head. His eyes were closed. I froze in surprise, but I had to pee, and out of some ingrained politeness didn’t want to disturb him. I stepped over him quietly and went downstairs.
Douglas Coupland’s exhibit in the Vancouver Art Gallery this summer was called “everywhere is anywhere is anything is everything,” and from the instant I saw the title, before I even set foot in the museum, I was not feeling it. The all-lowercase aesthetic felt, to me, like an appropriation by a pretty square art gallery and a not-young man of a look that coded for “youth” and “hipness.”
