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Category: Reviews

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Listening for Change

Reflections on environmental protest songs.

by Kathryn Short on October 13, 2019October 12, 2019

Exposed ‘Oklahoma!’ Reveals Its (and Our) Darkness

On the deliberate (and effective) discomfort of Daniel Fish’s Oklahoma.

by Paige Allen on July 31, 2019July 30, 2019

Nass Recommends (Pete Recommends?) “Bodys” by Car Seat Headrest

“Wherever you are, it’s no longer about the words but now about an ineffable energy that paradoxically grounds you and makes you feel weightless.”

by Peter Taylor on July 31, 2019July 30, 2019

‘Moscow’ Updates Chekhov, Makes Audiences LOL and Cry in the Club

Halley Feiffer’s Moscow Moscow Moscow Moscow Moscow Moscow opened July 18 at MCC Theater and is scheduled to run through August 3.

by Paige Allen on July 22, 2019July 30, 2019

High Life: Claire Denis’ Sinister Space Sexcapade

“this is more of a sex movie in space than a space movie with sex.”

by Max Feldman on May 3, 2019July 30, 2019

Nass Recommends The Tsar of Love and Techno

“This novel-in-stories traces the lives of multiple generations of characters from the early days of the Soviet Union up into the near-future, all interconnected by an obscure nineteenth-century painting.”

by Peter Taylor on April 21, 2019April 20, 2019

Encounters With Concussion Culture

“In my desperate search for a ‘cure’ for my concussion, I experimented with the outermost fringes of the medical world: the truly punk-rock subculture of medical science.”

by Patrick Macdonald on November 18, 2018November 17, 2018

Falling in Space

Hopefully this means we didn’t fake the moon landing.

by Dylan Fox on November 11, 2018November 10, 2018

You’re Christopher Robin and Don’t You Forget It

On the collision course of youthful innocence and adulthoods muted palette.

by Noa Wollstein on October 7, 2018October 6, 2018

Babylon Berlin Review

A snapshot of a young republic in peril, and its lessons for our times.

by Anna Vinitsky on September 30, 2018September 29, 2018

Sorry to Bother You review

“What the story lacks in cohesion and clarity, though, it makes up for in inventiveness and provocation. It seems intentionally on-the-nose that the protagonist’s name is “Cash Green,” as the film takes the inherent absurdity and selfishness of capitalism to the extreme.”

by Katie Duggan on July 31, 2018July 29, 2018

Review: DJ Ezra Klein Chopped Not Slopped Indie-Hits Compilation (Best New Music)

“The EP offers a respite from the world. If only for a moment.”

by Max McGougan on April 28, 2018April 29, 2018


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