Come for the shouting and shattered glass, stay for the confessional outbursts, wry dialogue, and fascinating sexual politics. This superb production, directed by Whitney Mosery ’08, presents the tragic aftermath of a man’s inexplicable affair with a goat – the … Read More
Many works of art have emerged in the aftermath of the 9/11 attacks as part of the collective struggle to commemorate, understand, and situate them within the rapidly coalescing frieze of our shared memory. Thanks to the plethora of novels sprung up in the ashes of disaster, we are now privy to such worthwhile phenomena of universal human interest as the tone-poetic hi-jinks of the chattering classes in the months preceding the big event, as in Claire Messud’s respectable novel The Emperor’s Children, and the annoyingly precious musings of the insufferably earnest, as in Jonathan Safran Foer’s not-so-respectable novella Extremely Loud and Incredible Close.
“If thine eye offend thee, pluck it out.” -Jesus, Matthew 18:8 “Your right eye is half-a-millimeter too high,” Dr. Christian Troy informs an aspiring model during the pilot-episode of Nip/Tuck. “And you have an Irish nose,” he quickly adds as … Read More
It’s fitting that the two floors housing the exhibitions “Picasso and American Art” (reviewed in the issue of October 12) and “Edward Hopper: Highlights from the Collection” are adjacent. These shows typify two different trends of 20th century American art … Read More
All efforts to render politics aesthetic culminate in one thing: war.” -Walter Benjamin Nobody can accuse Jack Bauer of not having done enough for his country. He has killed more people than polio and saved more lives than Jonas Salk. … Read More
Photographs are unquestionably deemed to be accurate representations of the real; whereas a painting is inherently considered to be a fictive interpretation of its subject, a photograph simply reports its subject as it is. Or does it? How is this … Read More
The utilitarian function of the museum as mere container has long been eclipsed by its function as signifying apparatus. On the one hand, the design of the interior is responsible for the terms of encounter with individual works of art. On the other hand, the shape of the exterior mediates and proclaims a role for art within the surrounding architectural landscape, cultural mise-en-scène, and even historical moment.
Every now and then there comes a book which is like an arrow shot into the heart of things because it has the power to redeem the fading, diffuse enterprise of bookselling and novel-gazing both, all the misbegotten hours spent … Read More
It’s like one of those Twilight Zone epiphanies that arrives midway through an episode to thwart the lately begotten hopes and dreams of whatever poor fool thought he caught a lucky break or maybe had a good thing going. So … Read More
I. “Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde” at the Met Investing Vollard with the almost statesmanlike title, “Patron of the Avant-Garde” is pretty generous for someone Paul Gauguin once called “the worst kind of crocodile.” Maecenas he … Read More
Cormac McCarthy has established himself as one of the great American authors of the 20th century. His magnificent Border Trilogy, comprised of All the Pretty Horses, The Crossing, and Cities on the Plain, told the hardscrabble yet ethereal tale of … Read More