The two most shameless course titles at Princeton are NES 362 “Blood, Sex, and Oil: The Caucasus,” and FRS 117 “Eye of the Tiger: Reading Buildings.” They blatantly, even desperately, ask for attention.
When was the last time Denmark did something to piss you off? What about Hamlet’s homeland really grinds your gears? Personally, Sweyn Forkbeard’s invasion of England in the eleventh century pains me still, as if it happened yesterday.
A month ago, before any of us took semiseriously the idea that Donald Trump might win the Republican primary race, coverage of Trump in the media presented an instructive paradox:
A few years ago, the artsy and presumably transity Peter B. Lewis threw enough money at the University to roughly eclipse Rick Ross’ monthly champagne budget.
In the first issue of the semester, the Nass investigates sectoral bargaining, keeps a promise to a demon, and travels into the heart of Ireland’s magic.
Sunday, March 16 was the premier of Mary Zimmerman’s Argonautika at the Matthews Theater at McCarter. The two-and-a-half-hour play is an adaptation of the voyage of Jason and the Argonauts, starring Jake Suffian as Jason, Lisa Tejero as Hera, and Sofia Jean Gomez as Athena. Zimmerman, known for her inventive vision, won a Tony for Best Direction in 2002 for her adaptation of Ovid’s Metamorphoses. Zimmerman’s production is an impressive, oftentimes explosive, interpretation of the story of Jason and the Argonauts, filled with whim, wit, and a touch of the modern.
