Nassau Weekly
  • Issues
  • Verbatim
  • Crosswords
  • About
  • Donate

Category: Reviews

  • New
  • Old
  • Random

Hallucinogen-ic

R&B is experiencing a renaissance.

by Zach Cohen on October 24, 2015

Bone Tomahawk

In a filmmaking era when movies are increasingly designed, focus-tested, and audience-approved to please, “Bone Tomahawk” is strangely refreshing for refusing us our simple pleasures.

by Elliott Eglash on February 14, 2016February 14, 2016

On Object and Actor

Questioning a binary understanding of women as either object or actor, Her portrays women as both.

by Alexander Robinson on February 14, 2016February 21, 2016

Liking Love

The first few episodes feature some pretty conventional plot devices, but the characterization and dialogue have a loose, awkward, and very human quality to them.

by Samuel Bollen on March 6, 2016October 2, 2016

Review: Neeta Patel’s “time is a floating point number.”

Patel’s senior thesis show […] is an intelligent meditation on text, handwriting, and the act of recording.

by Eliza Mott on March 23, 2016March 29, 2016

The Nass Reviews Flaked

This show is like the less-funny, homosocial version of Love except there’s still chicks in it and dudes who are bad at talking to them.

by Carson Welch, Samuel Bollen on April 3, 2016October 2, 2016

Peer Review

Since the beginning of time, editors at The Nassau Weekly have taken their pens to each other’s Common Application Essays. And yes, The Nassau Weekly has been around since the beginning of time.

by Samuel Bollen, Zach Cohen on April 10, 2016October 2, 2016

That Precept Kid Reviews Some Albums

Piggybacking off of your cultural criticism

by Zach Cohen on April 10, 2016April 10, 2016

Lyssna: A Review

The performance was viscerally compelling. Immersed in evolving harmonies and asymmetrical rhythms, I found myself transported to a space outside the predictable and rigid schedules of junior spring, of deadlines and word counts, into a rustic, sunlit world where patterns existed to be deconstructed and reformed.

by Kat Kulke on April 14, 2016

Weezer’s Summery Return

Having traded their 90s-style distortion and macho guitar riffs for piano and sad-boy vulnerability, Weezer is certainly stepping in a new direction.

by Christian Bischoff, Kat Kulke on May 16, 2016

If Only For a Moment

Eclipsed is the first performance in Broadway history to be performed, written, and directed entirely by women, of whom four out of five are African. This play is angry. It doesn’t want men.

by Mikaela Gerwin on May 25, 2016

Give a Glimpse of What Yer Not

Their new album, Give a Glimpse of What Yer Not, doesn’t reinvent the band’s sound; however, it does contain some of their best work. This is a natural extension of a long career, not just a cute or tired continuation of it.

by Samuel Bollen on August 30, 2016October 2, 2016


  • Older
  • Newer

Submit a Verbatim

    Recent Posts

    • A Yoga Ashram, Donna Tart’s The Secret History, and Discobitch’s C’est Beau la Bourgeoisie
    • Balls Dropped: Full Design
    • Letter from the editor
    • New Year, New Me / I Was Cutting My Fingernails and Eavesdropping
    • Sorry About the Air Conditioners Being Off: Townes Van Zandt, The Texas Chainsaw Massacre, and Aesthetic Signatures of Heat

    Popular Posts

    • A Yoga Ashram, Donna Tart’s The Secret History, and Discobitch’s C’est Beau la Bourgeoisie
    • Balls Dropped: Full Design
    • Letter from the editor
    • New Year, New Me / I Was Cutting My Fingernails and Eavesdropping
    • Sorry About the Air Conditioners Being Off: Townes Van Zandt, The Texas Chainsaw Massacre, and Aesthetic Signatures of Heat

    Navigation

    • Home
    • Articles
    • Issues
    • Verbatim
    • Contact
    • Donate

    Categories

    • Campus
    • Reflections
    • Poetry
    • Podcasts
    • Fiction
    • Lists

    Join Us

    • About
    • Privacy Policy
    • Submit an article
    • Submit a verbatim

    © Nassau Weekly 2020 · All Rights Reserved